You read that right. This band has been playing together since the 1950s for 50 years! Last week they played and reminisced at the smoke-free Czech National Museum of Music.
Pavel, the band leader, said that back in the 50's, the Communist regime didn't object to their music too much because it was, after all, the music of the "poor American Negro." Doing more instrumental music, rather than vocals, helped avoid official objections.
By the 1960's Pavel said musicians must have dropped in status, in the regime's eyes, as a potential danger to be watched extra carefully. The authorities turned their censorous attention to people in literature instead.
I almost couldn't get a picture of the drummer
he was back there working the skins so hard
he was back there working the skins so hard
Two musicians who obviously enjoy each other
on the bandstand and off.
Here's someone you don't meet everyday: a contented man.
The trumpet player had all three
of his childhood dreams come true.
He became an engineer.
He plays the horn for joy, not as a job.
He played it in America, live.
The trumpet player had all three
of his childhood dreams come true.
He became an engineer.
He plays the horn for joy, not as a job.
He played it in America, live.
These guys have created magic for 50 years. The next day I was so exhilarated from all that dancing I kept singing Rogers and Hammerstein's "I could have danced all night, I could have danced all night." Is there a mailing list? Put me on in it! Wherever these guys are playing, I'm there!
You might enjoy this later post about Pavel's band:
An Evening of Jazz at the Reduta