Sunday, April 15, 2012

My First Turkish Movie -‘Kurtuluş Son Durak’

One night I was invited to a gal's night out with about six Turkish married women. My friends were organizing themselves to see a new Turkish movie with an all-female cast called ‘Kurtuluş Son Durak.’

I hadn't even yet seen the inside of our local movie theatre and was pleasantly surprised by the deluxe leather or leather-like Lazy-Boy style chairs. It was a beautiful theatre and very, very comfortable. I bought a giant popcorn to complete the experience and sat down not knowing what to expect. I didn't even know what the movie would be about.

This movie, a comedy with a theme of domestic violence, was adorable! The story starts when a glamorous woman, recently dumped by her boyfriend, moves into an Istanbul building. All of the other ladies in the building are, of course, curious about her but she resists their friendship.

The women all have their own struggles. One woman has devoted her life to her bedridden father; another has resigned herself to daily beatings from her husband so long as he doesn't touch the kids; another is facing the reality that her Mafioso boyfriend won't marry her, a young teenager hates seeing her mother beaten. Eventually, the ladies unite through their struggles, and become empowered to solve their problems. Most importantly, they have adopted a motto to "oppose all forms of violence."

The movie showcases
six skilled Turkish actresses
What I loved about the movie is that it showed absolutely beautiful parts of Turkish female culture. A Turkish woman will never let anyone starve. If food could cure cancer, there would be no cancer in Turkey! Even if a Turkish woman doesn't do the cooking herself, she has immense pride in her country's cuisine and is always quick to offer it. Turkish hospitality is awe-inspiring. They eventually wear down their new neighbor with their amazing food!

Typical Turkish Dinner with Rakı
(Turkish anise-flavored liquor),
good fellowship,
and good music
Secondly, Turkish women, actually Turkish people in general, are quick to share joy through music and dance. Have I met a bad Turkish dancer yet? I have not! Since childhood, folks in Turkey have been learning about music and folk dancing, belly dancing, and traditional dancing from their elders.

This movie was written by a man named Barış Pirhasan and directed by his son Yusuf Pirhasan. I need to give special appreciation to them as a viewer for creating this hilarious, uplifting script. Domestic violence seems like it wouldn't be a good subject for a movie, because it could seem so hopeless and dreary. There is a real accelerating problem with domestic violence in Turkey with domestic murders of women up 1400% in the last seven years. This movie seems like such a healthy way to create conversation about the problem and eliminate denial about the topic. Isn't that what is great about artists? They are always challenging us to do better, notice this, address that! Kudos, gentlemen.

This movie was a fun playful revenge fantasy similar in spirit to Dolly Parton's, Lily Tomlin's, and Jane Fonda's "9 to 5," the American movie about the glass ceiling women encounter at work. I didn't need much help during the movie to understand it since it was about the universal theme of relationships and friendship. The creators should be invited to appear at film festivals everywhere! Click on my title to visit the film's website.

Friday, April 13, 2012

Breaking the Silence on Street Harassment in Istanbul



Sessizliği Sen Boz,
Break the Silence
about Street Harassment

Street harassment is a human rights issue. It's also a business issue because street harassment costs businesses big money. I haven't felt harassed on the streets of Istanbul. I know, however, that I am not the target demographic as most young people harassed are ages 16-24. I have young friends who have experienced both rude, disgusting comments and groping.

If you think about it, street harassment is probably the number one reason women would not contemplate becoming an "Empty Nest Expat." It's an informal ghettoization of women that keeps them home: whether it be in their actual dwelling, their city, or their country because exploring their world looks too scary.

While fear of harassment has not kept me from exploring my world, street harassment still effects my spending decisions, which is why I emphasize the business consequences of street harassment in this post.

In 2011, I wanted to go to a New Year's Eve party at a friend's flat in the central Taksim area of Istanbul. When my Turkish male friends heard this, they resoundingly said, "you absolutely must not go." Why?

They said, "on New Year's Eve all the village yokels come into Istanbul. They've never seen a foreigner, they are drinking, they assume all sorts of things, and our news the next morning is filled with foreigners who were treated inappropriately on New Year's Eve because of this. Your smiling foreign face would be misunderstood by villagers."

So two hours before I was to leave, I made the decision to stay home and miss my friend's party. Between taxis and hostess gifts of wine and such, the amount I would have spent that night had I gone adds up to about $100. I am just one woman. Think of that decision multiplied by thousands of women. It becomes very easy to see what street harassment costs an economy.

In many ways, Istanbul is benefitting because street harassment is so much worse in other places. One of my friends recently moved here to Istanbul from Cairo. My friend, a highly educated and successful Arab author, said after living in Cairo for two years that it feels completely lawless. She would never move about Cairo proper using a regular taxi. It had to be her regularly-used taxi service, because a woman couldn't even trust licensed cabs in Cairo to keep her safe.

Another story of Cairo street harassment that stunned me comes from one of my favorite blog writers on Islamic spirituality. What are the business implications for a country like Egypt with so little control of its own streets?

For starters, a lot less tourists. At one time, Turkish and Egyptian populations and economies were roughly equal. But now, Turkey receives more than double the tourists Egypt does even though Egypt has the sphyinx and the pyramids and the Nile to offer.

There's a website called Hollaback! that works to document street harassment all over the world so that women know places to avoid within a city. It is also localized to document cases within Istanbul itself so people can see where most harassment occurs.

Avoiding places is a 20th century solution. Women won't settle for that anymore. Women deserve, demand, and will work for safe streets all around the world. We are half of the world's population. We aren't going to remain silent anymore.

Tourist and retail business people should appreciate and fund activists like the Istanbul Hollaback! team because they are working to create an environment safe for people and frankly, local businesses, to thrive.

Click on my title to check out the Istanbul Hollaback! website. You can share your story, check the map of harassment locations, and learn Turkish to help defend yourself. You can also learn how you can be a badass bystander who helps diffuse situations!

It's exciting to see tools like this develop to help women go out and explore their world. We didn't have something like this when I was in my twenties. A worldwide network of Hollaback websites helps give women courage. Set sail, explore, see parts unknown! Don't let street harassment keep you from exploring beyond your street, your city, or your country just like anybody else.

Monday, April 2, 2012

Vagina Monologues: We Did It!

Some of our fabulous cast
for "The Vagina Monologues"
Pictured left to right: Tara, Demet, Yasemin, me,
Monique, Harika, and Kendra
The play poster

One of my fellow cast members in DreamTree's production of "The Vagina Monologues," remarked at what an amazing feat it was for Donna M.E. Banks, an American and Kendra Tyre, a Canadian to move to Istanbul and within six months start up a theatre production company and put on Eve Ensler's play. These two ladies had known each other as teachers in Korea, and then discovered they were both living in Istanbul. "Why not create a VDay event?" they thought.

VDay is the movement to wake up the world to the gender-based violence women experience. It was started by American Eve Ensler.
The name of our
adorable neighborhood theatre
was Mekan.artı
It was just down the street from the entrance
of the Istanbul Hilton in Harbiye.
As I said in my last post, acting has not ever been one of my dreams. I was in this production because I believed in the cause. I walked away from the experience with new insight and respect for actors and actresses. For one thing, it takes a lot of time to learn dialogue.  As the oldest cast member, I joked that 'act' stood for 'Alzheimer's Cognitive Testing.' It seemed odd to me to devote so much time to something I would use all of three times.  At least if I was studying a school subject - say osmosis, or something, I could use it forever. I also had no idea the amount of time that actors need to devote to rehearsals. My goodness, it's like a part-time job to go to rehearsals every week.
But is this space not endearing?
It's like a little neighborhood clubhouse.
It held just under 100 seats.

As I was whining to a friend about how much more work it is to be in a play than I realized, he said, "yes, but you'll forget all that pain when you perform it." I was scared to death to act in this play, and as we prepared I felt wave after wave of vulnerability engulf me. My friends carried  me through though, and lifted me up with joy and support as I got ready. When we put the tickets on sale, it took less than a week for them to sell out. The last few days before the play all of us in the cast were fielding calls from all kinds of people asking, "please just four more seats?"

Opening night was full of drama for the cast: one member was in the hospital hoping to get discharged by 6 p.m. for our 8:30 curtain time, another went through three or four babysitters before finding one that would commit and stick. The second night, the lights were bright and I flubbed a couple of my lines. I quickly found my way back but it was a bit unnerving. The third night, one cast member forgot to get her suitcase out of the taxi trunk with all the costumes inside. Luckily, the cabbie realized it and brought it around in time for the show. Donna and Kendra goodnaturedly rolled with all of it.

The power of art to transform and cause us to think and grow is incredible. During our rehearsals, I faced my own intolerance of the transgender character in the show, and realized I was repulsed by the ambiguity everytime I heard the monologue. I didn't want to be, but I was. I don't know anyone in that situation. I always have to think, "now, are these the people who dress in the other gender's clothes? Or the people who want sex-change surgery? Or people who have had sex-change surgery?" I can never keep it straight.

"Wow, in real life, people with that issue, are a walking violence target," I realized. If I was repulsed and was doing my best to be compassionate and still struggling, I could imagine there are plenty of people who don't even bother to struggle. I just sat with my own feelings and felt the discomfort of not understanding. The play taught me how damn hard it must be to be one of those people. May they find kindness out there in the world. May I not be indifferent to the hate crimes they experience.

I hope to post more pictures and information about how much money was raised for Turkish nonprofits, but I'll end here saying how amazingly proud I am of my friends. Their biggest accomplishment was to use art to create conversations about difficult subjects. Among the cast we had fascinating discussions about what our mothers and grandmothers had taught us about avoiding gender-based violence, we discussed what monologues we identified with and what ones we did not, we talked about what part of the female experience isn't represented. We were privleged to help create the same kind of conversations among our audiences. I felt wondrous community develop full of love and support among the English-language speakers of Istanbul around this play. It was a privlege to be a part of it - next time though - I'm signing up for the publicity team - anything but acting!

A splendid story in "Today's Zaman" newspaper about our efforts and in "Milliyet" newspaper

Wednesday, March 28, 2012

First Rehearsals - Vagina Monologues in Istanbul

Great movements often start in coffee shops.
Vaclav Havel famously met
with his fellow Czech dissidents
in the Cafe Slavia across from
the National Theatre in Prague.

My expatriate American friends,
Donna and Kendra,
newly arrived in Turkey,
had decided to organize a VDay event
with both expatriate and Turkish women.
They decided to produce the play
"The Vagina Monologues"
in Istanbul.
Auditions were over.
Our first rehearsal
was at an Istanbul coffee shop.
We shyly came together,
that day in February.
I was struck by the beauty of the women there.
Each one wanted to help other women
through her own personal participation
in Eve Ensler's famous play.
 I had heard about the "Vagina Monologues" for years
and finally saw them in Madison, Wisconsin.

Eve Ensler, the writer of the play, wants to end
the great global silence
about the ongoing epidemic of violence
perpetrated against women and girls
around the world.

The play represents the experiences of women
all around the globe,
most notably, women in the Congo.
Each year, a new monologue is added
reflecting the news of the day.
I wish that wasn't necessary.
I didn't know about performing a play
like this in a conservative country,
but I took faith from the courage of our
producer/directors and the other women present.
 I have no interest in acting.
I don't have that bug at all.
But I do want to support
everything Eve Ensler does.

Her life's mission is
to wipe out violence against women worldwide.
Yes, I know.
You probably think she's crazy.

Yet the impossible happens every day.
Do you think Vaclav Havel and his Czech friends
believed the Berlin wall would eventually fall?

the NACCP expected they would be so wildly successful
in seeking change that less than 100 years later
there's a black man in the White House?

I am not sure they would have dreamed it.
They just started with the first step.

Can't you just imagine how
hopeless those situations
looked at the time?

I wonder what it will be like for women
100 years from now if all of us just take that first step
toward ending the culture of violence.
VDay believes the reason for the global silence
about what women are experiencing is
 the indifference of authorities worldwide,
 the instinct of denial within families,
 and the lack of public outrage
about the violence
that millions of women experience every day.
But on this first day,
it was just interesting to learn about the play
and to meet the other women.
Kendra, one of our producer/directors
listening intently to a first reading.
V-Day dreams of a world in which
women and girls will be free to thrive,
rather than merely survive.

Friday, March 23, 2012

Africa Day @ the Global Minds Book Club

On the first stunning weekend of Spring
we met to discuss an amazing book
in a beautiful home
overlooking the Bosphorus.
Knowing that my Ghanian friend Clarence wouldn't be in Istanbul forever, I asked him if we could read an African book and have him moderate our discussion at our Global Minds Book Club, which he founded.

My view of Africa from Istanbul was completely different than the view I had back home. In America, the only thing one reads about Africa in the media is generally aid, AIDS, drought, and other negative stories. Think of the most recent American media firestorm about Africa: the KONY video. It's a simplified African story told by non-native white people with motives that are hotly debated. 

In Istanbul, however, I see TV commercials aimed at African consumers. These commercials  made me realize there is a large middle class there. Clarence says there are over 50 million middle-class consumers in Africa right now.

Clarence, who founded the popular Istanbul "Global Minds" book club over a year ago, usually runs the group as a complete democracy with a 'majority rules' vote on each title, but in this case, there might have been a bit of enlighted and beneavolent leadership. 

Clarence suggested Nigerian author Chimamanda Ngozi Adichie's novel "Half of a Yellow Sun" based on this wonderful TED video of her warning all of us as people to beware the "single story" we have in our heads about other nationalities, races, and classes of people. It's really worth 18:49 minutes of your time.
I picked up a copy of her book and noticed the cover had a sticker denoting it as the 2007 Orange Prize for fiction winner. I was intrigued to learn the Orange Prize for Fiction is a fairly new prize started in 1996 (which you can "like" on Facebook for more information) that honors the best book published by a female in a given year in Britain. The announcement of the long list of candidate titles for the prize coincides with International Woman's Day.

It stunned me to realize that this was the first book I had ever read by a black African author EVER in my life. I found that sobering. I've read books about Africa, such as "Out of Africa" by Isak Dinesen (a European expat living in Kenya), but here I am, in my 50s, and this is the first time I've ever heard a black African voice in novel form. Even though I'm a librarian, a life-long avid reader, and a life-long book club attender, I hadn't even gotten to the point where I had the limiting "single story" about a people, I realized, I had NO story from their point-of-view. That means every single thing I've ever read or heard about black Africans to date was not through their eyes, but someone else's.

I do think that's changing now in America as many high schools are having their students read "Things Fall Apart" by Nigerian author Chinua Achebe. I want to read that as my next African title.  Of course, like many American women, the most recent stories I've had about Africa have all come through Oprah's eyes.

Chimamanda Ngozi Adichie wrote her book about middle-class Igbo people struggling to survive in the Biafran war when she was just 29 years old (note to self - my only previous knowledge of Biafra - again from an outsider - a George Harrison album cover devoted to starving children in Biafra). It was such a riveting story. I want to read everything she writes!

I absolutely loved this book. An introduction to a new author, a new place, a new people are what makes book clubs such a powerful tool for sharing ideas and life-long learning. It was my book club that got me to pick this book up.

After I finished the book, I read more about the Nigerian Civil War on Wikipedia and was frankly astounded and reminded of the evils of colonialism. 
Norah is from Kenya and was our gracious hostess.
 She said "feel free like a housefly,"
a Kenyan aphorism of welcome telling us to be comfortable.

I told her we call it "refrigerator rights"
in America.
Good friends have "refrigerator rights,"
they can just walk in your house and open the refrigerator.
Clarence and a new member from America.

True to form, Clarence used the title
 as a launching pad to discuss all things African:
 politics, gender relationships, tribal customs,
 superstitions, economics.
It was a fantastic, frank, fearless exchange of views.
Nationalities represented for this book:
 Kenya (2), Ghana, Canada, America (3),
 Ireland (2), New Zealand.

 We all wondered where our Turkish voices were that day -
we were dying to know what they thought of the book. 
Norah's ambience included both beautiful African art,
this piece represented the Masai tribe,
and tribal music playing softly in the background.
I loved hearing Norah's perspective!
Ana, a Kiwi, me, a Yank, and Jackie, an Irish lass
We had planned to watch a Ghanian movie afterwards
but we had a four-hour book discussion,
our longest ever!
It was delightful watching twilight
descend over the bridge as we talked.
Pausing to watch the ship go under the bridge,
from Norah's balcony,
I felt so blessed.
It was a magnificent way to spend the day.

I can promise author Chimamanda Ngozi Adichie
I will not stop at this "single story."
I want to read more African fiction and stories.
Her outstanding book made me care about people
I never heard of before.
It also made me want to know more.

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Wednesday, March 21, 2012

Discussing Books with the Istanbul Global Minds Book Club

I was proud to moderate
George Orwell's brilliant book
"Animal Farm"
at Global Minds Book Club
One of the Istanbul-based groups advertised on the Internations expatriate social network that attracted my attention was the fairly new “Global Minds Book Club.” I love reading and discussing books and have belonged to several book clubs over the years. The organizing mission of this group was to read books from all around the world and discuss them with people from all around the world who were currently residing in Istanbul.
Sinan, second from left,
moderated our discussion
of Harper Lee's
"To Kill A Mockingbird"
Global minds discussing global books: what an exciting idea! That was different than most book clubs organized in our home countries which feature friends of similar demographics discussing titles that are often targeted at that demographic. Those can often be a “great minds think alike” club.

I knew it would be a different type of book club when the first meeting I went to started with shots of melon liquor. While we may not have educational diversity (many members have graduate degrees) we do have national, religious, racial, ethnic, tribal and sect diversity.
Stalwart members
Matt and Işil
For the Turkish people who come to the meetings, it is often their first book club experience as there is no tradition of book club discussions in Turkey. There are many reasons for that. Widespread literacy is less than 100 years old in Turkey due to the change in alphabet. Stories in this part of the world are often shared orally rather than on the written page. The idea of discussing art, culture, politics, and life in a good-natured way with all kinds of different people that one doesn’t know very well is often considered a new and very foreign idea, especially when the premise is that the discussion takes place over a book. I tip my hat in appreciation to people of all nationalities who come to the club to discuss a book in English, frequently their second or third language.
Clarence Nartey, Founder
Global Minds Book Club
leading our discussion of
Chimamanda Ngozi Adichie's
"Half of a Yellow Sun"
Clarence Nartey, the man from Ghana who started the “Global Minds Book Club” is uniquely suited for the role.  As a marketing manager for a multinational corporation he has traveled all over the globe in his professional roles with visits to 20 countries (Ivory Coast, Nigeria, Togo, South Africa, Singapore, Philippines, Malaysia, Thailand, Indonesia,Vietnam, China, Hong Kong, Taiwan, India, Turkey, UAE, France, UK , Spain and Israel), sometimes living in a country for a month at a time, and other times living there for a couple years. I remember when I got my first emails from him detailing how the group was organized, what we were reading, and when. I thought “this is MBA-level organization for a mere book club.”  Joyfully, our book club is both relaxed - often meeting poolside or in a picnic venue, and organized within an inch of its life!
We met under the gazebo
at my place
last summer to discuss
Haruki Murakami's
"After Dark"
We frequently meet in our different homes. This has prompted our members to travel all over Istanbul and gets us into neighborhoods we would not have a reason to visit otherwise. The club has become so successful that Clarence has considered dividing us into two groups, with a meeting simultaneously held on each continent. There are over 240 people on the email list, with around 15 responding positively that they will come, and a usual 8-10 actually making it. Not bad considering that coming to a discussion can involve up to a two-hour trip each way as people cross continents!
We were supposed to go swimming
after this meeting
but the discussion was so good
we never got in the pool
Clarence says, “what thrills me about reading now is not the act of reading a book, but now reading a book, organizing friends to share it and using the book as a springboard to elicit multiple and diverse perspectives from fellow readers.”  He has done that so beautifully and created such a lively community of book lovers here in Istanbul . Wanting to extract every bit of value from the experience, he has also asked the members to donate the books after the discussion to interested libraries or groups to help them broaden their reading horizons too.

Eventually, even the expatriates we rely on the most, like Clarence, must leave. That’s the nature of the expatriate experience – a short time together of meaningful intensity.

He has told the Global Minds Book Club that within a month or two he will be transferred to the continent of Africa. He is excited about returning to his home continent, but oh, will we miss him! In keeping with his tradition of stellar management, Clarence already has his replacement “Global Minds Book Club” organizer lined up. 

Our reading list to date:
Global Citizens - Mark Gerzon ( non-fiction)
Little Bee / The Other Hand - Chris Cleave (fiction)
Tipping Point - Malcolm Gladwell ( non-fiction) I joined here
Life of Pi - Yann Martel (fiction)
To Kill a Mocking Bird - Harper Lee (fiction)
Extremely Loud and Incredibly Close - Jonathan S. Foer (fiction)
After Dark - Haruki Murakami ( fiction)
The Gambler - Fyodor Dostoevsky( fiction)
Animal Farm - George Orwell (fiction)

The White Tiger -Aravind Adiga (fiction)
Catcher in the Rye - J D Salinger (fiction)
Shah of Shahs- Ryszard Kapuscinski (non-fiction)
Half of a Yellow Sun -  Chimamanda Ngozi Adichie (fiction)

 This book is easily my favorite discovery through the club!
Future Titles:
New York Trilogy - Paul Auster (fiction)
Cairo Modern - Naguib Mahfouz (fiction)
Sammarkand - Amin Maalouf  (fiction)
Homage to Catalonia - George Orwell (non-fiction)
Do you have an expat book club? Or a book club devoted to reading international titles? What has made it fun? Do you have a book recommendation for our club that your group enjoyed?

You may also like these posts:

Making Expat Friends Through Internations

Africa Day @ Global Minds Book Club

All my posts on books

 


Monday, March 19, 2012

Making Expat Friends through Internations Expat Social Network

Friends having fun!
That's how we spell it: Y-M-C-A
How was anyone an expat before the Internet? That was when people really left home and immersed themselves completely in another country. No TV shows from home, no news from home, only snail mail, and a new culture where English was not the global language it is today.  That was expat commitment on a whole other level.
Enjoying new Internations friends in Turkey
Gratefully, these days, the Internet provides us not only the comforts of our familiar media, but also tools to help us make the most of our new overseas city as quickly as possible. Before I left to go overseas, I made my first Prague friends through blogging. I started a blog and connected with expats in Prague that were also already blogging. That seems quite a slow, laborious way to make friends now that I think about it. At the time, in 2008, I thought I was high tech!
The Turkish gesture for sincerity:
A hand over the heart
What do all the people who are too busy or lazy to write a blog do? There are new, quicker ways to make friends before arrival in a new city. I first discovered couchsurfing as a way to meet locals as I travelled, and as a way to experience amazing events with fellow expats.  Couchsurfing participants skew fairly young demographically. What has been a wonderful resource for me in Istanbul is the expatriate professional's social network called Internations. It's designed to connect global minds in over 250 communities worldwide.

To use Internations, you first need an invitation from an expat who is already a member. That's easy enough to secure. They can send you an email invitation and then you too are a basic member. I've enjoyed my free basic membership for a couple of years now. Through that basic membership, I have access to all kinds of relevant information like city and relocation guides and an expat magazine. Those resources are highly valuable if first starting out or daydreaming about "hmmm, where should I go next?" I've occasionally used the forum feature in the Istanbul section of Internations where people post their job openings or 'positions wanted' listings, their moving sales, and their color commentary. I find that valuable. I've mostly used it to source books.
Sampling Turkish wine together
There is also an Internations paid membership, called the Albatross membership, which has a small monthly cost. It allows people to send unlimited messages to others in the network. I could imagine that would be useful to someone who organizes lots of activities or does business with other professionals. The Albatross membership would be useful for anyone who does business with expats because there is an advanced search feature that allows people to search by nationality, organization, or interests. Albatross membership also provides people free entry into the monthly megaparty held in each city. I find those parties to be meat-market-like and skippable even though they are often in beautiful and interesting locations. It's hard to have an in-depth conversation with anyone at one of those events.


The feature on Internations that has been a Godsend to me is the local events section.  Nice people all over the city organize outings and/or actual groups that meet on an ongoing basis. My hike to the Belgrad Forest was an event advertised on Internations by my friend Yasemin. I've also joined two different groups on Internations that have been so fun and so full of terrific, delightful people that I keep coming back to them again and again. I will write about my Internations book group and travel group both in later posts. I also appreciate that the basic Internations membership allows me to organize my connections with new friends in a different place than Facebook. That's useful if I'm not ready to make someone a Facebook friend.
Chilled Out in a Cappadochian Cave
I'm always surprised when sheer visits to a site don't translate into enough traffic to generate revenue. For example, I thought reader's consistent daily visits to the New York Times were enough for them to go out and sell advertising based on high viewership. I thought my consistent return to Internations was too.  Apparently not though, because both organizations have demanded a new monthly fee for a specific level of service beyond the minimum. I hate it when that happens! Aren't my eyeballs enough?
Dinner at Meze by Lemon Tree,
Frequently rated #1 restaurant in Istanbul
on Tripadvisor
Reluctantly, due to the new fees, my groups on Internations have concluded that we will go elsewhere for our organization and communication. My book group had set up an entire alternative communication method as we were limited to only five messages a month each on Internations (imagine how frequently we'd have visited if we could have done all of our communication with each other through the site - that limit made us create backup plans) and my travel group has already migrated to Facebook. Will Internations stay interesting if access becomes so restricted that people move their energy elsewhere?

Have you become a member of Internations? What's been your experience? What have you valued the most?
 
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