How Hot Is it In Istanbul? Part 2

These guys gathered a small crowd

of cheerleaders at the bottom of the stairs

News comes from America that it has been the hottest July on record. I believe it. Truly, it had to have been equally hot here in Istanbul. The heat has made animals and people alike want to move as little as possible. Only 5% of Istanbul is air-conditioned.

But what if it is your job to work outdoors in this crushing heat? These workers were moving a generator up to the 5th floor of the building being renovated on the right on one of the most intensively hot days of the summer. A crowd of us gathered at the bottom of the stairs as the guy on the lowest stair used a wood board for a lever and they slowly moved the generator up one stair at a time through team work as coordinated as a coxswain and rowers. Us office gawkers were a bit horrified at the level of intensity required on such a hot day. Add in that it was Ramazan here, and these men could possibly be fasting from sunrise to sunset. We all let out a cheer when they cleared the landing. It seemed appropriate to acknowledge the effort under such circumstances!

How Hot is It in Istanbul?

Is he alive or dead?

Cats and dogs are allowed to roam free in Istanbul. During these dog days of summer, I often find an animal in my path who is so immobile and looks so hot, I find myself talking to them just to see if they're alive. You can't always tell! Luckily, this long hair was just trying to move as little as possible in the heat.

Enjoying Hometown Friends in Istanbul

 Brian Smith and me

One of the fun parts about living in Istanbul is so many friends come through town as tourists. This summer it was my  Ames, Iowa high school classmate Brian Smith and his very fun wife Fazia Ali. So many giggles! Brian is so in love with Fazia. It's moving to see. They have been married for 19 years.

Family friend Bahar

and Brian's wife Fazia

Brian is a Pulitzer-prize winning photographer. His first magazine photograph appeared in LIFE Magazine when he was a 20-year-old student at the University of Missouri.  Five years later, Brian won the Pulitzer Prize for his photographs of the Los Angeles Olympic Games. Yes, that's right, at age 25!

Because Brian started achieving so early and for so many years people are always asking him for advice and he is happy to provide it. Here's an example from his blog where he shares Secrets of Sports Photography: his favorite Olympic Moments.  It is great storytelling of jawdropping images we will all remember.

Lately, Brian has specialized in celebrity portrait photography. I love hearing him talk about his book project "Art and Soul: Stars Unite to Celebrate and Support the Arts." The book grew out of the desire of entertainment professionals to share in a deeply personal way how they had been impacted by the arts. Truly, some of the most iconic celebrities are featured. I dare you to look deeply into Ann Hathaway's eyes in Brian's portrait and not want to say "yes" to whatever she asks for! You can thumb through 15 of the portraits on the Amazon site and vote for the ones you like. All of these portraits were also featured at the Library of Congress. The stars hand-carried the book to Congress to advocate for more funding for the arts.


















This fall Brian will have a new book coming out called "Secrets of Great Portrait Photography: Photographs of the Famous and Infamous." Along with instantly iconic photos like this cover shot of billionaire space entrepreneur Richard Branson, Brian shares the stories behind the photographs and how he connected with his subjects to create such unforgettable images.

I admire my classmate's work and his willingness to mentor so many young photography professionals coming up. Brian gives speeches all across America on photography topics but also on just getting started as a professional. I enjoyed the storytelling in this webinar: "Stop Waiting for Your Big Break." He frequently is invited to share on this and other topics in person.

After coming to Istanbul, Brian and Fazia went on to Athens. I LOVE this photograph he took of her there.

"My Goddess Rocks the Acropolis"

Brian Smith on Twitter: @briansmithphoto

Brian Smith on the web: http://briansmith.com/

Bravo David Černý! You Have Europe Giggling Again. This time with your Red London Double Decker Bus doing pushups!

Longtime readers of the Empty Nest Expat blog know I am a huge fan of Czech artist David Černý and his very Czech brand of irreverance and black humor. His sculpture created to see if Europe could laugh at itself, "Entropa," certainly provided entertainment for me and my Czech friends when he created it in 2009.

"Entropa" was the official art chosen by the Czech Republic to represent itself when the Czech Republic held the Presidency of the European Union. It seemed only Czechs got the humor. I loved it.  I was so grateful to have seen it myself in the flesh when I went back to Prague a second time. By then it had been moved from Brussells to DOX Contemporary Art Museum in Prague.You can read more of my posts about him here.

This time I don't see how he can fail to make the whole world smile. Look at what he has created for the London Olympics: a bright red London double decker bus doing push-ups!

How can we not smile?

Iconic bus doing iconic exercises!

No, it really does do the exercises!

Černý built in hydraulics to make it happen.

I love seeing tiny Czech Republic,

with a mere 10 million citizens

represent itself so above 'its weight class'
at the Olympic games

with their irreverant humor.

I believe Černý's bus will delight worldwide!

What do you think of David Černý's bus

named "London Boosted?"

Does it make you smile?

Is there an artist you have discovered in your travels

you think the whole world should know about?

Who is it?

Click on this wonderful Daily Mail article to see more photos of David Černý

assembling his bus and to see the video of it in action!

You might also enjoy these posts:

Who will be the Czech Jamie Oliver?

It's David Černý Appreciation Week at the Empty Nest Blog

Following Eve Ensler's new play debut "Emotional Creature"

Looking back on my participation in "The Vagina Monologues," I can not be more proud of myself for having done it. Eve Ensler is trying to challenge the entire globe (the entire planet!!) to think more critically about how humanity tolerates physical and sexual violence against women, to call it out when it happens, and finally, do something about it.

This week Eve premiered a new play in Berkeley, California called "Emotional Creature." I found Jane Fonda's post about it so inspiring that I wanted to share it with you.

If you are a woman and aren't yet familiar with Eve Ensler's work, there's an opportunity coming up this February. She is asking the entire planet to rise up and dance together to let the entire world know that we stand together saying "this is not acceptable." You can check the hashtag #1billionrising on Twitter for more information too and be inspired by people all over the world who are doing the same.

If you are a man, we especially need you to participate. Eve Ensler asks good men in the "Vagina Monologues" play "where the hell are you?" It's blunt, but sometimes blunt is needed. Wherever you live on this big ball, can you help be part of #1billionrising in February 2013? Organize a dance, go to a dance, sell tickets to a dance? We need good men to help shift this paradigm.  Indeed, in someways, you are needed most.

One of the most satisfying aspects of being in the "Vagina Monologues" was doing something rather than just complaining about something. The future is now. Let's move humanity forward.  Here's Jane Fonda's post to inspire you too!

Here's the story of our Vagina Monologues production in Istanbul. The oldest post is at the bottom.

The book that made me crazy with homesickness for America

Aldo Leopold

I have a young teenage friend here in Istanbul who pines to be out in the Turkish countryside among apple orchards, tending herbs, growing living plants and enjoying nature. Instead, he's growing up in a city of 15 million! That has to make his summers out in the country just that much more special.

I tried to think of English-language books that I could share with him that spoke to this inner calling of nature. "Walden" of course, by Thoreau. "The other side of the mountain" by Jean Craighead George, one of my own childhood favorites. To this day I still remember how much I savored reading her young adult novel about trying to live off the land by oneself as a teenager in the woods. Instead, I gave him a book, even though I hadn't read it myself. I had, however, heard mentioned over and over again as one of the best in the American canon for nature writing: "Sand County Almanac" by Aldo Leopold.

"Sand County Almanac"
 has sold over 2,000,000 copies

"Sand County Almanac" proved too difficult for his intermediate English. So he gave it back to me.
Having always meant to read it because of its steady, growing reputation, I opened it up and began.

"Sand County Almanac" is divided into a year of observations about living on a Wisconsin farm and the natural life that goes on there through the seasons. Aldo Leopold, the Iowa-born author, was a professor of Agricultural Economics at the University of Wisconsin when he wrote it. He would retire to his "tired-out" farmland and shack on the weekend with his wife and five kids. Before his professorship, he was very active in the United States Forest Service writing the first fish and game handbook ever and proposing the first National Wilderness Designation ever for Gila Wilderness Area.

Thank goodness, I was going home to America within the month! The beauty of the Wisconsin farm landscape came pouring of every page of this book. So did his pride and passion for observation of his piece of land, something every property owner has felt. Having last lived in central Wisconsin when I was in America, I could hardly bear reading it so evocative was it for all that was gorgeous about nature in the Midwest, and Wisconsin in particular.



Aldo Leopold is considered
the father of wildlife ecology

No wonder my young friend had such difficulty with the English. Aldo Leopold's language is so learned and his thinking so lofty, I began to regard what was in my hands as "divinely-inspired" like Mozart's works or Handel's "Messiah." Could a human being create such a work of such sacredness, joy, and wisdom without help from a higher power?

If I could have every American read one chapter, it would be "February." There is no action in this chapter other than Aldo sawing apart a tree for his wood-burning stove. Doesn't exactly sound like a must-read, does it? And yet, each sentence is utterly compelling.

Aldo describes not knowing where our heat comes from as a "spiritual danger." A spiritual danger! Is that not what we experience when we consume our petrol mindlessly as we do without acknowledgement of the depletion of nature and cost to human life?

He says "if one has cut, split, hauled, and piled his own good oak, and let his mind work the while, he will remember much about where the heat comes from, and with a wealth of detail denied to those who spend a week in town astride a radiator."

I am not going to split my own oak for heat anytime soon, but let you and I just ask ourselves if we know the details of where our heat comes with the same deep consciousness and thought for its replacement as Aldo did. While sawing, he recalled exactly where the tree originated from, what it measured in length and width, what was going on in history at the time of its birth, and what the oak had to survive to get to this age. When another oak was felled by lightening on his property, he allowed it to properly age in the sunshine it could no longer use, and then split it one fine winter day secure in the knowledge that there was a renewable source of new wood growing on his farm. Do we consume our heat with that level of awareness and consciousness about where it's coming from, how it shall be renewed, and at what cost?

The forward alone is full of such copious amounts of wisdom it was, again, awe-inspiring to read. May I absorb his wisdom to my bones.

From the forward:

"But wherever the truth may lie, this much is crystal-clear: our bigger and better society is now like a hypochondriac, so obsessed with its own economic health as to have lost the capacity to remain healthy. The whole world is so greedy for more bathtubs that it has lost the stability necessary to build them, or even to turn off the tap. Nothing could be more salutary at this stage than a little healthy contempt for a plethora of material blessings."                                          
                                                                                    ~Aldo Leopold, 1949

You might also enjoy these Wisconsin or nature-related posts:

The Marvelousness of Madison

A Spectacular Hike to Gem Lake

Elk Bugling Season


Couchsurfing Hike to Český ráj

Hiking the Sázava River in Central Bohemia

What's there to do in Wichita, Kansas? Why not see breathtaking art?

No matter where I go in the world, I swear I could find the most interesting things to do in any given town. Wichita, Kansas was no exception. In fact, there were so many interesting things to do around Wichita, I couldn't fit them all in.

Walt and Mary, my couchsurfing hosts in Columbia, Missouri, had recommended two attractions nearby in Mary's hometown, of Hutchinson, Kansas.

I didn't get around to seeing: the Kansas Cosmosphere and Space Center or the Kansas Underground Salt Museum. Why, you'd have to go all the way to Poland or Austria to see something similar to this salt mine! I didn't get it done. Next time.

I ask you, however, what is something really wonderful in your neighborhood you haven't yet experienced? The problem isn't finding interesting things to do - it's actually doing them! What are you waiting for? Go see it! There may never be a next time.

I am mesmerized with this Modernist view

from the main lobby in the Wichita Art Museum.

These pictures make me giddy!

One of the fun things my friend from Prague, Gulnara, and I did while I was visiting her in Wichita was go see the Wichita Art Museum. I love the surprise of finding this modernist museum in the middle of the prairie.

I was enthralled to find two fantastic exhibits there: the Harmon and Harriet Kelley Collection of African-American Art and another exhibit called "Visions of Mexican Art."

Surprise matters.

Respectfully,

a Dale Chihuly glass sculpture

in the main lobby or entrance foyer

has become an American art museum cliché.

I say that respectfully, because I recognize

the energy, power, and majesty of his pieces.

Please surprise me, curators.

Is there a new way his works could be exhibited?

From the visions of Mexico exhibit:

a new representation of Chac Mool,

the ancient Mayan God.

Another artist's homage to Frida Kahlo.

Love her!

These paintings were from Mexico's innovative art-for-taxes program that allowed Mexican artists to pay their taxes with their creative output.

The African-American collection represented works from three centuries. I love African-American art and music, especially jazz. Two of my favorite American artists are Romare Bearden and Jean Michel-Basquiat. Romare Bearden is represented in the collection, yet there were many drop-dead gorgeous works new to me. How proud these collectors must be to have assembled this collection of extraordinary works on paper. Thank you for sharing it, Dr. and Mrs. Kelley.

Sharecropper, 1952

by Elizabeth Catlett

"Jitterbugs III," ca. 1941-42

by William Henry Johnson

"Dance Composition, #35," 1981

by Eldzier Cortor

"Anyone's Date," 1940

by Ernest T. Crichlow

"Thistle," 1966

by Walter Williams

an expatriate artist who lived in Denmark

during the 1960's.

You can see the Scandinavian influence

in the background, yes?

"Boogie Woogie"

by Charles Louis Sallee, Jr.

I loved the energy communicated

in just these few simple lines.

"Street Car Scene," 1945

by John Woodrow Wilson

What do you suppose he's thinking?

"The Carpenters," 1977

by Jacob Lawrence

Do you know any carpenters?

Lawrence completely captured

their stance, their energy, &

the dignity of their work.

I love this piece.

What I deeply appreciated about the Wichita Art Museum's mounting of these two shows is their highlighting of the best of the America's minority populations (here assuming that Mexican culture carries over into America).

All over the world, institutions are in crisis for breaking their social contracts with their publics, but I've noticed museums have really stepped up to help their citizens cope with change, prepare for change, and accept change.

In Wichita, it was these very visible celebrations of two ethnic groups that will make up a larger segment of American life in the future.

In Prague, I saw the City Museum of Prague put on a terrific exhibit explaining Vietnamese culture to the Czech population, because Czechs have a hard time relating to their new Asian immigrants.

In Istanbul, the Istanbul Modern Art Museum mounted a show celebrating all of the Armenian-designed buildings in Istanbul, generating recognition for Armenian contributions to the beautiful city people experience today.

I admire the work of these museums. Our globe thirsts for this level of strategic engagement. Acceptance of "the other" can't happen fast enough. These institutions, probably operating with very small budgets, are engaging their publics beyond the museum's artistic mission, to an even larger mission of cross-cultural understanding. Bravo!

You might also enjoy:

Hanging out with old friends in Wichita, Kansas

Celebrating 90 years of Czech artist Zenděk Sýkora

Communist art in the Prague Metro

Welcome to Capitalism!